Everett Summer Nights
The stifling humidity of these hot summer nights bring back memories of growing up on Arlington Street that I'll never let go. These images are nothing out of the ordinary, by any means. They're just random reflections of the way life used to be.Our apartment was tiny. So was the bedroom that slept three growing boys. Along the inside wall we had a set of bunk beds. I slept on top because I was the littlest one of the bunch. Carl slept on the bottom.
Let me tell you about those bunk beds. There was nothing fancy about them. They were those Army style bunk beds that consisted of a simple angle iron frame with nothing more than a wire mesh support under the mattress. And even though those mattresses were only about 5 inches thick, they were far more comfortable than anything else I've ever slept on.
Have you ever slept on one of those old fashioned Army feather mattresses? Every so often, this hard pointy thing stuck up through the mattress and stabbed into you. If you pulled on it, you'd pull this big old feather right out through the mattress. I used to lie there at night pulling feathers through the mattress by their stems. I'd catch hell from my mother when she pulled back my covers to wake me up in the morning and a cloud of feathers would puff up into the air.
One of the funniest memories I have about those bunk beds is when Billy used to lie down on the bottom bunk and Carl and I took turns getting up on the top bunk. Billy then kicked us up into the air as if we were riding a bucking bronco. He'd kick so hard and fast sometimes that he'd bounce us right up out of the bed and onto the floor.
Next to our bunk beds was a simple four-drawer bureau. Carl had the top drawer because he was the neatest one of the bunch. The second drawer down was mine. You could also tell my drawer from Carl's because there was always socks and underwear sticking out of mine and I seldom closed it evenly. I was a typical slob as is customary for a little boy.
Billy had drawer number three. It was hard to tell his drawer from mine other than that the socks and underwear hanging over the top of the drawer were much larger. The bottom drawer was where my mother kept our sheets and things like that. That's also where I hid my jars full of ants and grasshoppers. And now you know why my mother always threw a fit at me. She even had the audacity to actually throw them away on me sometimes.
I'll never forget that day I caught that giant bullfrog out behind Spencer's Sunoco gas station down on Ferry Street. "Don't you dare put that thing in the bottom drawer with my linens," my mother shouted at me. She made me keep him in an old pickle jar.
On the following day while I was outside playing in that blaring hot July summer heat, she decided to go in and tidy up our bedroom. She pulled that pickle jar with my bullfrog in it out from under my bed and placed it on the windowsill. Then she forgot all about it.
For the next four hours or so that poor old bullfrog was trapped inside a glass jar in the direct ultraviolet rays of that blaring hot sun. It turned out to be quite the science experiment. By the way, do you know what happens to a bullfrog after being contained in a glass jar for four hours in the blearing hot sun? He explodes.
My mother thought it was one of the ugliest sights she'd ever seen. You could still make out one of his eyeballs and his little webbed paws. Other than that, it looked like a jar full of some kind of homemade green marmalade.
All was not lost. I still had a lot of fun with it. I chased Mary Ellen all over the Horace Mann playground with it. Apparently, mashed up amphibian guts repulse the dickens out of girls. God only knows why. It wasn't all that ugly, really. To me, it looked more like something you might spread on a bagel or an english muffin to have with a cup of tea.
Now, to give you a better idea of how small our bedroom actually was, there was no more than about an inch between our bunk beds and that bureau. Billy's bed was on the other side of that bureau directly across the room from our bunk beds. There was only about an inch between Billy's bed and that bureau as well.
Our bedroom measured somewhere in the vicinity of about seven feet long and about eight feet wide. It was so small that Billy's bed blocked both the window, and the door that led out onto our front porch up on the second floor. Rather than keep moving Billy's bed out of the way to open that door to get out onto the front porch, we'd just crawl across his pillow and climb out through the window.
That porch had solid railings. You could duck down behind them so no one could see you from down on the sidewalk. It made somewhat of an excellent sniper's nest from which to shoot unsuspecting victims with bobby pins and elastics. Not that I would ever do anything like that, mind you.
Because Billy was so much older than I was, he was still out there hanging around on the sidewalk with his friends long after Carl and I had gone to bed. I'm talking long after the streetlight came on. Now, that's late.
Carl was the kind of kid who drifted off into dreamland the moment his head hit the pillow. I used to sneak over onto Billy's bed and open the blinds so I could draw under the luminosity of the streetlight in front of our house. On those hot summer nights when I didn't have to get up for school the next day, my mother wasn't so militant about making me go back to bed. All she was really concerned about was that I didn't wake up Carl.
My only regret is that I never recorded what it sounded like to sit and draw at that window on a hot summer night. The cornucopia of sounds that filled the air around me harmonized into a tapestry of peculiarity that had Everett written all over it. It's kind of hard to explain, but every element within ear shot somehow played a distinctive role in what I can only think to describe as a natural orchestra of sound. And of all the places I've slept in my lifetime, only that little corner of the world on a hot summer night can compose such a symphony.
Let me tell you what I heard.
Go anywhere in the world, and as soon as you open your mouth, somebody somewhere will ask, "You're from Boston - right?" Go anywhere in Massachusetts, and open your mouth, and chances are that somebody somewhere will say, "Let me guess, either Everett or Eastie, am I right?" Let's face it. We don't sound like the kids on the Cape, and we don't sound like we come from Newton or Wellesley either.
I could sit here and listen to those teenagers outside talk all night long. What a riot and half that was, let me tell ya. It was probably by listening to those kids talk that I realized the importance of learning how to speak well. Our teachers tried to convey that very message all along, but their methods of doing so were, for the most part, ineffective. Listening to these guys mouth off was a far more effective lesson on how not to speak in public.
For example, these guys only had one adjective in their entire vocabulary. It's almost as if they've never heard of words like big, red, or loud. While listening to Mikey tell his story about the day he got caught cheating on a test at school, I had to bury my head in my pillow to keep from waking up Carl because I was laughing so hard.
The following is a simulation of the dialogue as I best remember it.
Mikey: "So anyway, Mr. Turquotte was walking up and down the "effin" isles, making sure nobody was looking at each other's "effin" paper. As soon as he walked past my "effin" desk, I looked over at Billy to get some "effin" answers so I wouldn't have to turn in a blank piece of "effin" paper."
Billy: "I don't believe you don't know the "effin" answers to an "effin" test they give at the "effin" trade school. It's not like you actually gotta "effin" study or anything. The material is so "effin" simple that even an "effin" moron could ace it without "effin" trying."
Mikey: "Hey, for cry sakes, let me finish my "effin" story."
Billy: "Aw right, finish your "effin" story."
Mikey: "So like I was saying, Turquotte just walked by my "effin" desk so I looked over at Billy to get some "effin " answers. Well, guess what? This "effin" jerk has his whole "effin" hand covering his "effin" paper so I can't see so much as one "effin" answer."
Billy: 'It serves you "effin" right for being so "effin" stupid."
Mikey: "Hey, will you shut the "eff" up so I can finish my "effin" story?"
Donny: "Yeah Billy, Shut the "eff" up so he can finish his "effin" story so we can get on with our "effin" lives.
Okay, let's stop right there. Actual number of words in that conversation is 210. The word "effin" is repeated 27 times. Almost every eighth word is the "eff" word. Like I said, it's the only adjective in their entire vernacular. Everything they talk about follows that one golden rule. They simple cannot use any other adjective.
They even follow that rule when they tell a joke. Usually, it's the way they tell the joke that's the funniest part. Here's how they would ordinarily set the stage for a typical joke. "This "effin" guy walks into an bar with an "effin" parrot on his shoulder." See what I mean?
The reason it was so comical is because if you called them on the carpet for it, they'd swear they never used that kind of language. It was such a common part of their inborn dialect that they didn't even realize they were saying it.
My mother and father felt they were right for not allowing Elvis to shake his legs on Ed Sullivan's "really big shoo." They thought it was such a vulgar form of expression. Elvis was nothing compared to the language going on right outside my bedroom window. Now that was vulgar, especially to the virgin ears of an eight-year-old boy in 1960 Everett.
An unmistakable peculiarity unfolds about this whole situation that I must simply tell you about. When it was time for Billy to come in for the night, that adjective virtually disappeared from his vocabulary the moment he stepped inside that front door. That word never once slipped out when he was inside the house. It only happened when he was out with his friends.
As soon as I heard Billy's footsteps clattering up the front steps, I knew it was time to gather my things and head on over to my top bunk. I say "clatter" because that's what it sounded like every time Billy came running up those front steps. It sounded more like a horse trotting on pavement than it did a person walking up a set of steps. You would have sworn this kid had at least four feet.
There was a very distinct reason why Billy made so much noise when he came in for the night. My mother and father had gone off to bed hours ago, but my mother would not go to sleep until she knew we were all home safe and sound. Once she knew Billy had gone to bed, she was out like a light.
Shortly afterwards, Billy got up, got dressed, and slipped back out the front door without making so much as a peep. It's amazing how quiet he can be when he wants to be. Just because Billy was still another year away from getting his license didn't mean he couldn't go out cruising with his friends.
Under the dark of night, he and his friends snuck into my father's car and threw it into neutral. Then they'd roll it down Arlington Street towards Ferry. Before they reached the intersection, they'd all jump into the car, pop the clutch, and drive off into the night. That meant I could hop back onto Billy's bed, open the blinds, and get right back to where I left off on my drawing.
Now we're talking sometime after midnight. This is when you really get to focus on the random sounds that pierced the dark of night. We always had a fan going in one of our living room windows. Rather than give off a steady hum, it sounded more like someone turning a faucet off and on at a really rapid and constant pace. When that gentle east wind picked up, it blew through that fan like some sort of aerodynamic wind tunnel.
I could also hear that gentle easterly breeze rustle the maple leaves on that tree right in front of our house. And on occasion, I could hear that Doppler swoosh of a passing automobile driving along Ferry Street. At one o' clock in the morning in 1960, cars passing by on Ferry Street were few and far between.
Hearing a siren screaming past your window in the middle of the night back then was as rare as a seeing a shooting star. If we did hear one, regardless of what time it was, we all came running out of the house in our peejays and bathrobes to see what was going on. It was that rare of an occasion.
Other sounds I heard include a solitary set of footsteps clopping along the sidewalk. Sometimes it was the police officer walking his beat. Did you hear that? I'm so old that I still remember when police officers walked up and down the sidewalk. Not only that, but they lived right here in the community they served. They were our neighbors. We knew them personally. It makes a difference.
Back then, we also had a lot of crickets. They used to drive my mother nuts. I actually liked them. To me, they are nighttime's answer to the daylight's traffic noise. It wasn't until I moved out to the boondocks in southern Indiana that I remembered how loud they could actually get sometimes.
Here's one thing I don't remember. I don't ever remember hearing an airplane fly over our house in the middle of the night when I was a little kid. They did fly over during the day, and usually at a rate of about two or three per hour, but never in the middle of the night. Times sure have changed.
Sometimes I'd sit drawing at the window right up until first light. Yes, even when I was only eight years old. I liked to hear the sound of night dissolve into the break of day. The crickets seemed to calm down just as Billy and his friends were rolling my dad's car back into the driveway. That's also when I'd hear the brakes on the Hoods milk truck quietly squeal to a halt out in front of our house.
Do you remember the sound those glass milk bottles made when they rattled against each other in the wire basket that the milkman carried them around in? I sure do. Just as I still remember exactly what it sounded like in my house as soon as Billy actually laid his head down onto his pillow.
You talk about perfect timing? That kid had his act planned out to the very millisecond. For it never seemed to fail that just as his head hit the pillow, you could hear my father's slippers scuffing across the floor into the bathroom to get ready for work.
Morning was breaking all over the city of Everett by now. One by one, you could hear car doors slamming, engines firing up, and cars pulling away from the curb and driving off into the rising sun for yet another day at the grindstone. By this time the sandman was beating me to death and I just had to let go.
Not more than a few hours from now, my mother will come into our bedroom, pull the covers off of us and yell, "Rise and shine. It's a beautiful summer day. Don't let it go to waste." And we'd have to drag our sleepy asses out of bed. We both wanted her to think that we got to bed at a decent hour. She'd throw a fit if she knew otherwise.
This would be the last summer I could stay up all through the night to draw. By the very next summer I'd have to get up bright and early to deliver newspapers every morning. Billy wouldn't have to stay up all through the night to sneak off with my father's car by then either. By the following summer, he'd have both his license and his very own car.
In so many ways, it was the end of another era of my childhood growing up in Everett. That's why it was so important to commit so much of it to memory. Somehow I knew that I would never pass this way again.
Every sound of that era, even of the most infinitesimal, is committed to memory. It had to be. For every note I write down on the staff simply must culminate into a piece of music that genuinely reflects the very same ambience that those sounds invoked within my soul. There is no question about it. It is the sights and sounds of my Everett childhood that fuel my creative self.
There was nothing wrong with the way we grew up. We learned many things along the way. Through our foolishness, and our mistakes, and our failures, as well as through our successes, we learned how to navigate this strange maze we call, "life."
We gather to reminisce about that journey along the way in like mind and like spirit because we traveled along similar paths through familiar territory. Keep that in mind. My Fourth of July posting shall prove to be a rabble rouser.
It is time to rekindle that patriotic love for our country and our community. It's time to ignite that spark of inspiration that will enable us to stand together with a united voice to take our country back. We can do it. I know we can. Because "We're from Everett!"




